Sunday, April 5, 2015

How Mumbai once lived!

Mumbai may pace to a frenetic beat, but the metropolis has hidden corners where life moves more leisurely.
Satish Bodas/Rediff.com visits the city's BDD chawls where neighbours live like one big family.
If you want to see what life was like a few decades ago, I'd suggest a visit to Mumbai's 92-year-old Bombay Development Directorate's chawls.
Families manage in tiny rooms and neighbours, unlike what happens in much of Mumbai, are very much a part of each other's lives. The chawls's residents still share their joys, sorrows and festivals with each other.
BDD is a little oasis in the heart of Mumbai -- where a bustling lifestyle and tall skyscrapers pause to watch a slower, more measured Time that exists in a few old stone buildings.
But the residents -- mainly Hindus and Buddhists -- say it is time for change. Their families have expanded and living in such tiny spaces, plagued by leakage problems, is no longer easy.
Many youngsters have moved out; the older generation waits behind, hoping that redevelopment will take place, yet not completely ready to let go of a life they are so familiar with.
In my eyes, it is one of the last bastions guarding a simple, old-fashioned way of life.
The BDD chawl building built in 1925
The structures of the BDD chawls were built between 1922 and 1925.
The 1922 structure with a new coat of paint
When space is short, windows provide a convenient area for storage.
Kashinath Annaa kakade a resident since 1948
Kashinath Anna Kakade, who is 95 years old, has created a special calendar.
If you tell him the date of your birth, he will tell you on which day you were born.
He makes it a point to read the newspaper regularly and enjoys drinking a glass of milk every day.
Mr Kakade has been staying here since 1948 and feels that life today is much more comfortable than it was in his youth.
"Then," he says, "we had to go down to fetch water, but now the BMC (Brihammumbai Municipal Corporation) water comes directly to my house."
An iron staircase going to the roof
This old ladder leads to the terrace. Only one person can use it at a time.
As you can see, the ravages of age have begun to show in this old stone structure.
Gas and kerosene stove used by the joint families residing here
The families living here rely on gas cylinders and kerosene stoves to cook their daily meals.

As you can see, water continues to be a major issue. Look at all the vessels used to store the precious liquid.
Each room is home a family and is self-contained; it includes the bathroom and the kitchen.
The toilets, of course, are communal and are located outside the house.
Each floor houses 20 families in 20 rooms.
There are six toilets on each floor -- three for men and three for women.
Washing clothes outside the ground floor premises
This family on the ground floor, like many others in the chawl, uses the extra space outside their house to wash and dry their clothes.
If you look at the photograph carefully, you will see the little door (behind the lady in maroon) they have made under the window for a quick entry and exit.
BDD Chawl
Sadly, the rear areas of the BDD buildings are used as chicken coops-cum-garbage dumps. 
BDD Chawl
Facing the chawls is a huge open area where children skip out to play... a rarity in Mumbai.
BDD Chawl
Most of the residents, except those who stay in buildings reserved as residential quarters for the police (known locally as Police Line Buildings), have extended their rooms to get extra space.
Take a look at this picture and you'll know what I mean.
BDD Chawl
You don't need to live in fancy buildings to have a gymnasium on the premises. Here's a look at the gym at BDD chawl.
BDD Chawl
Skyscrapers, with their alluring promise of a more modern lifestyle, tower nearby.
BDD Chawl
Every floor is connected through a long passage, with houses on both sides. These passage, as you can see, become an extension of the houses.
BDD Chawl
Finally, here's a glimpse of how the new replaces the old -- the old wooden staircase of the chawl has been renovated using tiles and marble.

He paints Bollywood in Bollywood

Meet Bollywood fan Ranjit Dahiya. If you are in Mumbai, you can't miss his massive tributes to the industry that he loves, discover Sonil Dedhia/Rediff.comand Hitesh Harisinghani/Rediff.com
Like much of India, Ranjit Dahiya is in love with Bollywood.
Born in a small village in Sonepat district, Haryana, Ranjit used to earn a living by white-washing walls.
His passion for painting saw him sign up for a degree in fine arts at the National Institute of Design in Chandigarh in 2002.
"I did my first Bollywood painting in 1993 when I was still in school," says Ranjit. "I painted Kishore Kumar."
Today, Ranjit freelances as a graphic designer in Mumbai.
He still finds time to indulge in his passion for Bollywood, dipping into his funds to pay for the murals he has created in Bandra, a north-west Mumbai suburb that is home to Bollywood stars like Aamir Khan, Salman Khan and Shah Rukh Khan.
He uses shoe polish brushes to create these murals "as it becomes easy to fill the surface with it."
As a creator, he has some quirks. "I don't like to touch up my work as I want people to know the age of the painting."
And like every artiste, he has anecdotes about dreams that are yet to be fulfilled.
"I had planned to paint Helen's poster on a wall in Bandra. I had taken all the permissions and had completed the formalities, but somehow missed one lady's permission. She objected when I started painting on the wall of her residence and asked me to pay Rs 50,000 if I wanted to continue!"
Right there, he stopped painting that mural.
"I haven't made Helen's painting," he says regretfully.
Some of Ranjit's paintings and the stories behind each of them in his own words:
Amitabh Bachchan's iconic pose from Deewar by Ranjit Dahiya
This was the mural that changed the direction of my life.
In 2009, I had painted Amitabh's iconic pose from Deewar.
After seeing this painting, a renowned artist invited me to Paris to hold an exhibition of my work.
Anarkali mural
In Paris, I could not paint Anarkali for some reason, so I ended up painting Mughal-e-Azam.
I remained obsessed with Anarkali but it was only back home in Mumbai, in 2009, that I finally got to paint the stunning Madhubala as Anarkali.
It took me 10 days to finish this mural.
Anarkali is special to me in more ways than one... It was with this mural that the Bollywood Art Project, BAP, was born.
Anarkali mural
Mumbai is Bollywood and Bollywood is Mumbai... you can't separate the two.
Yet, visually, you don't see this synergy. Except for the homes of the Bollywood stars, we don't have any other visual identification of this unique bond.
I thought of giving the city what it is best known for.
In 2013, the film industry completed 100 years of existence, so this is my tribute to the industry as well.
Amitabh Bachchan mural
I am a big fan of Amitabh Bachchan.
If I could, I would paint his movie posters all over the city. But if I did that, it would be unfair to other artistes.
Rajesh Khanna mural
This was my tribute to Rajesh Khanna.
I made it after he passed away.
It took me six days to create this mural.
Amrish Puri mural
Bollywood is not just about heroes. It's also about the villains.
If our good guys did not have bad guys to beat up, would our films be as interesting?
So I thought it would be nice to create a mural of an unforgettable villain.
This painting of Amrish Puri as Mogambo was sponsored by Visual Disobedience (an artists's collective that helps visual artists in India with public and commercial projects).
Local residents, too, provided their support.
It took me four nights to complete this painting.
Amrish Puri mural
My latest addition to Mumbai... the legendary Dadasaheb Phalke.
It was my dream to paint the father of Indian cinema.
Approximately 20,000 sq feet in size, it is the biggest mural in India.
It was well planned, so I could complete it in seven days. Drawing it took me just two days!

His art will make you think, and weep

Art is a reflection of society. And when conveyed by artists like Valay Shende, it becomes a hard-hitting social comment, discovers Satish Bodas/Rediff.com
Art can be beautiful.
Art can be decorative.
Art can make you think.
And that seems to be the objective of Valay Shende, the creator of thought-provoking sculptures like Transit.
His recent exhibition, Migrating Histories of Molecular Identities, had life-sized works that represent objects and situations around us.
Shende's unique perspective allows him to use everyday images to underline vital social issues.
He has chosen to construct his work with thousands of discs made of metal. These discs symbolically represent atoms, which are the base of existence.
Viewers see themselves in each of these highly reflective discs, thus becoming participants in his work.
Seen below is his exquisitely detailed and most well-known creation, The Transit, depicted through a truck carrying 22 men, women and children on their way from one work site to another.
They are stuck in a timeless transit.
Shende has converted the rear view mirrors into videos of buildings and construction sites from Mumbai and London.
This exhibition, which was Shende's largest one yet, took him four years to complete. It has been exhibited in Rome, Lyon and Mumbai.
The Valay Shende installation
The Valay Shende installation
The Valay Shende installation
The Valay Shende installation
The Valay Shende installation
Below: A kerosene barrel mounted on a modified cycle. At one point, such tricycles were a common sight in Mumbai.
It was a source of this much-needed fuel for the poor, who would line up with cans to buy the precious liquid.
Seen on the side is the typically shaped jug that was used to measure the kerosene.
A Valay Shende installation
The Valay Shende installation
Below: For small farmers, the bull is the main source of sustenance and support. It helps him till the field and can be yoked onto a cart for transport.
This installation, which shows the head of a bull mounted on a wall, represents the hunted... the farmers who have been hunted down by an increasingly consumption-based society.
The base on which the bull's head is mounted is made up of photographs of small farmers in Maharashtra who toil unsuccessfully to eke out a living.
The Valay Shende installation
Below: At first, the setting looks pleasant.
A pair of what looks like gold salt and pepper shakers sit at the centre of an ornate silver dining table, surrounded by rich, brocade-upholstered chairs.
The salt shaker contains the ashes of Narsinghlu Rukmawar, a poor farmer from Vidarbha who committed suicide because he could not feed his family.
The pepper shaker contains soil from Rukmawar's field, which grew the grains that another family will now enjoy, perhaps at this silver dining table.
The Valay Shende installation
Below: Using the onion as a metaphor for tears, Shende creates a satire on disharmony, border issues, migration and the division of land and people.
The layers of the onion represent the current world scenario, with its incessant layers of wars and massacres.
The Valay Shende installation

Tuesday, March 24, 2015

Have you been to Bombay Canteen? You should!

Last updated on: March 24, 2015 15:38 IST
Harnoor Channi-Tiwary visits the spanking new restaurant and returns impressed.
What do you say about a one-month old restaurant?
That it warms the heart and tantalises your taste-buds?
That it quite simply fills you with a sense of blissful contentment that you never want to come out of?
Like Erich Segal's Love Story, a meal in the restaurant evoked something deep inside and held on to my heart, refusing to let go.
Booked for dinner after a long and heady day, I wasn't in the best of moods when I entered.
And yet, something magical happened in those two hours and I left with a smile and a spring in my step. That is what Bombay Canteen can do to you.
The city is choc-o-block with restaurants and new dining concepts.
How does one enter such a crowded space and yet create something memorable?
Floyd Cardoz, Sameer Seth and Yash Bhanage did just that.
With decades of experience between them, both International and in the country, they conceptualised a dining experience that would parallel a visit to Disney Land, for your taste-buds and all your senses.
Bombay Canteen is not only about celebrating Bombay as is rumoured.
Undeniably, the decor is all about recreating the Bombay that existed years before Mumbai rose.
Stone walls, stained glass paintings and more do their bit in giving it a feel of an old Bombay bungalow (yes, I'm told they did exist).
But the food goes beyond the borders of the city and brings to your table, India in all its glory.
The menu manages a balance between applauding our heritage and marrying that with the modernity that allows places like Bombay Canteen to flourish.
The cocktail menu is intriguing with options like Tar-Booze (vodka based watermelon cocktail) and Dark Monsoon (Rs 325) which matches Old Monk with ginger and Angostura bitters.
I tried the Dark Monsoon which failed to please and was perhaps the only thing that let me down the entire evening.
With so many tempting dishes on the menu, it was almost impossible to pick and choose.
Thankfully, Sameer and Yash, partners at the restaurant, came to my rescue and were kind enough to customise a never-done-before Tasting Menu so that I could get a glimpse of their food-story.
We started with the Chilled Seafood Bhel (Rs 300, above) and I was hooked at the first bite.
If you like your street food, this and the Arbi Tuk (Rs 150, below) are must haves.
The bhel is a tossed up chaat with shrimp, calamari and kairi-date chutney topped with crunchy sev.
Tangy and delicious, it comes highly recommended.
They also do this interesting sev-puri replica with arbi roundels topped with a vegetable kachumber, imli chutney and chilli hung curd. Genius on a plate.
The much talked about Methi Theplas Tacos with Pork Vindaloo (Rs 250) failed to reach the high standards that the earlier two dishes had already set.
Redemption came in the form of Grilled Calamari (Rs 300, below). And how!
The calamari was marinated with a chilli paste and charcoal grilled to give it a smoky flavour.
Perfectly cooked, deliciously spiced and well paired with the pickled onions, this almost made it to the 'Star of the evening' award.
To go to Bombay Canteen and not try their Signature Dish, Kejriwal Toast (Rs 200, below), is but a mistake, I had been told.
And I concur, the rumours were true.
I am a self-confessed Eggs Benedict addict and their dish draws its inspiration from the same.
A fried egg sits pretty atop half a bun (which was a tad bit hard to cut through) and is topped with melted cheese and green chilli chutney emulsified with coconut oil.
This is the kind of stuff that sets Bombay Canteen apart from the other restaurants in town.
The flavours worked perfectly with each other, complimenting and raising the dish to higher levels.
The whole is greater than the sum of its parts. I have never tasted another dish that could explain that concept better.
Already in love, hook line and sinker, they did not need to woo me further. Yet, they did. And the pièce de résistance was yet to come.
If you go to Bombay Canteen and have just one dish, let this be it (well, actually the seafood bhel and the calamari and the kejriwal too, but you know what I mean :-P).
The Tandoori Pork Ribs (Rs 550) are a little private party inside your mouth.
Cooked on the tandoor to give it a nice char, the meat perfectly juicy and succulent inside, it is served with a spicy jaggery glaze and green beans that add a crunch.
The Tingmo (Tibetan steamed bread, below) brushed with a chilli garlic paste (Rs 75) was even better than the one served at Yeti in New Delhi, the only other place where it stands out.
The dish is an example of how Chef Thomas Zacharias (formerly the executive chef of Olive Bar & Kitchen, Bandra) sets foot on paths un-trodden and takes each diner along on a magical gastronomical journey.
It takes courage and conviction to open a restaurant like Bombay Canteen.
It is not only about recreating an inviting space or cooking delicious food.
Many restaurants easily achieve that.
This one is about trying to push the boundaries further, stepping off the precipice and seeing if you can fly.
It can, and fly high it shall.
Reservations recommended. Currently open only for dinner (7 pm onwards)
Address: Ground Floor, Process House, Kamala Mills, Near Radio Mirchi Office, S.B. Marg, Lower Parel, Mumbai
Phone: 022 49666666
Meal for two: Approx Rs 2000
Photographs: Harnoor Channi-Tiwary

The return of the one-horned rhino

Last updated on: March 24, 2015 18:37 IST
A painstaking effort is on to bring the one-horned rhino back to Assam's Manas National Park, the place it once inhabited
Saurabhgupta8/Wikimedia Commons
Once upon a time in the Northeast, there was a vast forest next to a river. Its grasslands were home to the one-horned rhinoceros and the pygmy hog, while giant hornbills nested on its treetops. Till the mid-1980s, the Manas National Park in Assam was known for its excellent biodiversity and the multitude of rare fauna it housed. The Bodoland agitation and the socio-political conflict in the area took attention away from forest management. Consequently, by 2000, Manas was almost completely stripped of its rich flora and fauna, including all its 100 rhinos.
It was at this time that the Wildlife Trust of India (WTI) along with the International Fund for Animal Welfare (IFAW) decided to intervene. "While there were no rhinos left in Manas National Park, our assessment was that it was still capable of being a healthy habitat for rhinos," says Vivek Menon, executive director, WTI. In conjunction with the Bodoland Territorial Council and the forest department of Assam, WTI-IFAW created a unique programme in 2002 to revive Manas and its biodiversity, embodied by the one-horned rhino.
"We set up India's first rescue and rehabilitation centre, Centre for Wildlife Rehabilitation and Conservation, near a protected area -- in this case, Kaziranga," says Menon. Here, orphaned rhino calves are hand-reared (some even bottle-fed) for up to three years. "Then we transport them to Manas, allow a one-year period for acclimatisation in controlled but wild conditions and then release them into the jungle," he says.
Newly rescued rhino calf from Burrapahaar
Newly rescued rhino calf from Burrapahaar
That seems like a lot of trouble to go to for a handful of rhinos, but Menon says it is worth it. The presence of the one-horned rhino, the largest herbivore of the grasslands, is a sign that the habitat is in good ecological health. "This augurs well for smaller, lesser-known grassland animals such as the pygmy hog," he says. Also, the rhino is an evolutionary marvel that can do with some human intervention for its continued survival in the wild. "Unlike other species that have adapted to diverse habitats, rhinos can only survive in grasslands, that too on very specific grasses," Menon explains.
Crew that executed rehabilitation, transportation and release of rhinos from CWRC to Manas National Park Moreover, its breeding habits are so slow that it's a wonder that rhinos reproduce at all. Males attain sexual maturity at nine years while the notoriously choosy females become mature at four. Mothers rear their calves for three years before they literally push them away. To make mating matters harder, the sex ratio of one-horned rhinos is skewed in favour of females. "This makes it incredibly tragic when we lose a couple of them to poaching, accidents or illness," says Menon. "Also, if the dead rhino has a calf with her, it stands little chance of surviving on their own in the wild."
Crew that executed rehabilitation, transportation and release of rhinos from CWRC to Manas National Park
Crew that executed rehabilitation, transportation and release of rhinos from CWRC to Manas National Park
In the last four years, three of the eight rhinos that WTI-IFAW bred in captivity and relocated to Manas have given birth in the wild. "We are thrilled," says Menon. "This shows they've completely adapted despite being hand-reared. Also, their age of calving has ranged from nine to eleven years, which is similar to free-ranging one-horned rhinos." The first to give birth was Jamuna, rescued as a three-month-old calf during the annual floods in Kaziranga in 2004 and relocated to Manas in 2007. The other two proud mothers are Ganga and Mainao. Last year, three male calves were released from their temporary enclosure in Manas, taking the total number of calves rescued, reared and relocated to 10. "We plan to scale up as far as possible, but our programme depends on how many calves we are able to rescue and nurse back to health in a year," says Menon.
The ghar wapsi, so to speak, of rhinos to Manas has had positive connotations not only for wildlife conservation but also for the communities around the protected areas. For the Bodos, rhinos in Manas have come to symbolise a resurgence of their ethnic pride, which has taken a battering in the last few decades. In many ways, the Bodos' fight for their ethnic identity echoes the rhino's fight for survival in a rapidly shrinking habitat.
In 2011, Manas National Park was removed from the List of World Heritage in Danger and was commended for its efforts in preservation. To lay people, the idea that an entire forest can be regenerated and even repopulated with its lost endemic species, is incredible. But Menon has always believed otherwise.
"When we began this project, I never doubted nature's resilience for a minute," he says. Today, Manas represents hope -- hope that it is possible to reverse some of the depredations of poaching, social unrest and climate change on nature; hope that in spite of, and with some help from, mankind, the law of the jungle can prevail once more.

Sunny Leone: India is NOT a sex-starved nation

Last updated on: March 24, 2015 18:54 IST
Sunny Leone'There are two things that will never go out of business in most countries around the world -- oil and sex.'
Sunny Leone gives us her point of view.
It’s a Saturday afternoon and Sunny Leone is sitting in a tastefully done up office, sipping from a can of Red Bull.
The actress is still trying her best to leave behind her baggage of being an adult star, and find recognition as a Bollywood heroine.
"The audience may not say I am the greatest actress but if they call me a decent actress, I would happy," Sunny says, with a big smile.
In an interview with Sonil Dedhia/Rediff.com, Sunny discusses her new filmEk Paheli: Leela, why she doesn’t mind her sex symbol tag and why she finds Ranveer Singh sexy.
It’s been three years since your first film Jism 2 released. Are you happy with your career in Bollywood so far?
The journey in Bollywood hasn’t been easy.
It is impossible for an adult star to work as a heroine in a mainstream film but I have been lucky that I was accepted and loved.
I am looking forward to the release of Ek Paheli: Leela. The movie looks really beautiful and has been shot well.
Have you picked up Hindi?
Haan, main Hindi roz bolti hoon (laughs) (Yes, I speak Hindi every day).
I am still working on my accent but I have picked it up really well.
You have three films (Ek Paheli: Leela, Mastizaade and Tina & Lolo) releasing this year. Are you nervous?
I am definitely nervous. I have worked really hard on all the movies.
I hope the audience notices that I have improved as an actor and have progressed as far as my acting is concerned.
Tell us about your character in Ek Paheli: Leela.
It’s the toughest character I have played so far because she is a rustic.
A part of the film is set in Rajasthan so I had to speak Hindi in a Rajasthani accent. It was difficult to pick up the accent and the mannerisms of a village girl.
The other challenge was the hair and make-up. My body was painted every day to get a tanned look and on top of that, it was incredibly hot.
How did you pick up the mannerisms and the accent?
It was tough. Every day we had workshops on the sets.
The director (Bobby Khan) helped me a lot. I might not be the greatest actor in Bollywood, but I am a good listener (laughs).
I’d take help from the assistants; I would just grab someone from the director’s team and ask them to teach me the language.
Sunny Leone in Ek Paheli: Leela
You have emulated Rajinikanth in a song in the movie.
Yes, that was a lot of fun.
I love South Indian movies, everything is so colourful.
I had fun imitating Rajinikanth’s steps where I twirl my sunglasses. I had to practise quite a bit for it.
There’s a line in the film where your character says, “Glamour industry mainsuccess ka shortcut is short skirts.” Do you agree with that?

I don’t necessarily believe in it because I think the key to success is determination and hard work.  
But I guess it’s a good dialogue. The writer has done a good job since you remember it.
You always maintain that you want to be taken seriously as an actor but your sex symbol tag always precedes you. Will that ever change?
I don’t know. Whatever I have done so far has brought me so far. It doesn’t matter if I have a tag.
As long as the media keeps tagging me as an adult star or porn star in every single article, my sex symbol tag will never go away.
I think every individual is sexy in his or her own way. I can’t get rid of my sexiness so people can perceive me as they want to.
The audience may not say I am the greatest actress, but if they call me a decent actress I would happy (smiles). 
Sunny Leone in Ek Paheli: Leela
But the kind of roles that you have done so far has a lot of sexiness…
(Interrupts) Yes, that’s because the role requires it.
When you see Ranveer Singh or Salman Khan or Katrina Kaif, they are in gorgeous sexy costumes or no shirt, in a chiselled body. Is that not sexy? That's sexy too.
You become the talking point of any film you star in. Your co-stars could feel insecure at your hogging the limelight.
I just read an article about that and it was so stupid. 
I have no idea if my co-stars feel insecure; I have never asked them, nor have they ever complained.
I do my work and that is all that matters to me.
Ekta Kapoor said in an interview that Sunny Leone is a sweet girl in a sex-starved nation. Do you agree?
I don’t think India is a sex-starved nation. I wouldn’t say that about any country.
She (Ekta Kapoor) feels that way and she is entitled to her opinion. 
There are two things that will never go out of business in most countries around the world -- oil and sex (laughs).
There are so many unfortunate incidents happening with women across the country. What do you think can be done?
It all starts with education. If our teachers in school and parents at home teach us the basic etiquette, maybe the message will come across very clearly.
This is applicable to any country in the world.
I also feel all women should learn some self-defence technique.
Sunny Leone in Ek Paheli: Leela
Which actor do you find the sexiest in Bollywood?
It has to be Ranveer Singh.
He is not only a good actor but whenever I see him on television or at awards functions, I feel he has a larger-than-life personality. He is an attractive looking guy.
An Indian actress whose wardrobe you’d like to steal?
Priyanka Chopra. She has a great sense of fashion and her style is very hip.
Your husband Daniel Weber has lost a lot of weight. Is he preparing for his debut film Dangerous Husn?
No, it’s not for his debut film. In fact, for the film he needs to bulk up. The workout sessions are tougher and longer now.
But yes, Daniel works out in the gym like a maniac. Sometimes I feel lazy to go to the gym but he will not miss even a single day.
He has always been health-conscious; he is very particular about his diet.

'India cannot survive without coal'

Last updated on: March 19, 2015 11:29 IST
Coal mining
 
‘You cannot survive without coal. 2/3rds of our electricity comes from coal. Coal is the most important in our energy basket. Without coal there is no energy security for India’
‘We need to value energy and the only way we can value energy is if we pay the price for it. We do not value energy today because we are not paying the price for it. So if actually energy costs rise, we will use energy efficiently.’
‘One thing we must understand is that in India most power pricing policy is actually distorted. Domestic consumers pay less and industrial commercial consumers pay more. Globally it is the exact opposite.’
In the second and final part of this interview, energy and coal industry expert Sunjoy Joshi tells Sheela Bhatt/Rediff.com that we need to take a comprehensive view of the entire energy sector and how piecemeal reform won’t take us very far.
Part 1: 'Our whole concept of coal mine allocations is wrong'
Is India’s energy scene going to improve after the e-auction of coal mines?
We have to see the evidence of it improving. We have to get out of this quotas and allocations. The ‘captive blocks’ is a system of allocation of quotas. You are not allowing the actual use of a resource which determine its best use and value in an economy. You are not allowing it to happen. You are actually going back to licensing systems. If you are talking of reforms, you have to move away from these licensing systems.
Union Power and Coal Minister Piyush Goyal has said that India will stop importing thermal coal in three years.
I will believe the statement when the industry, Coal India, makes it. I cannot believe a statement if it is made by a minister.
Why?
Because the minister won’t do the mining. The mining will be done by entities who are involved in mining operations. And they are the ones who must come forward and say these are the right policies. The statement will have meaning only if the industries come forward and say, yes with these policies we would be able to ramp up production.
Once this e-auction process is over, how long will it practically take for India to use coal mines, coal reserves at the optimum level?
That’s a very big question because now India is also coming under increasing pressure, on the climate front and reducing coal use rather than expanding it. The point is we have not been able to utilise our coal reserves so far.
We say we still have a hundred years of coal reserves, someone will say we have 200 years of coal reserves. The point is, again, the same question, that those reserves are useless until we can mine them, produce them, use them.
The window within which we can use them and mine them is getting smaller year by year. The longer we take, the more difficult it will get to justify internationally our burning coal, say, 20 or 30 years from now.
Now the point is, when you are setting up a coal power plant today means someone is investing in that, he is investing over a 30-35 year cycle. Both the coal miner and the power plant operator are investing in the future.
If coal is only going to be available for the next five years, then there is no point in making that kind of an investment. He is not going to make any money but rather lose money in the short term. So we do not want any stranded assets left there again in the absence of coal. So we need a far more long term vision.
How long does it take to get an operation started?
In coal mining, the gestation period need not be too long. You can start coal mining after two years. Gestation period here rises majorly because you get into problems of land acquisition, you get problems of environmental clearances, then you get into the problem of whether you have a rail link, how are you going to transfer the coal out and where will you take it.
Rail, where are the tracks, where is the infrastructure to evacuate the coal. Many of the coal mines are without evacuation facilities. So all these things only add to the gestation period.
So in that case I would presume Adani’s idea of importing coal, of getting the mine and now getting the money for the operations from Indian banks, make sense.
It does make sense. See, you are not able to produce coal within the country in a short time, and you see a huge demand for coal within the country, so what else do you do?
What is the demand-supply gap?
Last year we imported 180 million tonnes. We do not know how it shapes up this year. But you know coal imports are steadily rising because of rising demand and because our coal production has stagnated over the past few years. It is sheer incompetence.
Now that e-auction is in place, do you think it is very imperative to have a coal regulatory bill?
Provided we understand what regulation means. Unfortunately in this country, the dividing lines between administration, regulation and policy making are not very clear. And that is not a problem in just coal, it is a problem across sectors. It is a problem we’re facing in aviation, in telecom, across the whole energy industry.
Let us first be very clear in our head as to which direction we are going in this long-term vision of coal and power business. Long term meaning, I’m not even talking of 30-40 years. Let us have a clear vision of what we are doing for the next 10-15 years.
In India’s energy basket, how important is coal?
You cannot survive without coal. Two-thirds of our electricity comes from coal. Coal is the most important in our energy basket. Without coal there is no energy security for India. You can keep talking about everything else. But until you wean the country away and move into diversifying the energy basket, coal will be important. And diversification is really, really far away -- the problem that exists in coal, exists in many other sectors of the energy industry.
So you do not have primary fuel availability. It is only coal that you have in plenty and hence have a huge capacity which is based on coal.
Now that internationally climate change and sensitivity for environment issues are so high, what will be India’s position over coal use?
India needs to negotiate very carefully on this front. Basically we have been lagging in developing our coal reserves. Our per capita consumption is still very low compared to international standards.
China did the very opposite. When the Rio declarations came, China used those 20 years to grab as much carbon space as it could. So it went on a mining spree extracting as much coal as it could. And then putting as many power plants as it could, forget the right technology, inefficient power plants etc...
And it was just a grab of carbon space that China did. China then reached there and now it has started talking about efficiency, cutting down emissions and moving onto a different cycle. We have missed that bus.
So we have lost about 20-25 years in the development cycle which has actually deprived our country of a cheap energy source at a time we needed it the most. There is a high economic cost to it in terms of the development of the country. So the people of this country have been deprived of a cheap energy source. Now the price of that energy resource is on the rise and it is going to be borne by the people of this country -- the consumer.
Tell me the dos and don’ts to do things faster.
If you want to enhance coal production, then you need to get professional mining into the operations. That is the first thing. You have to sort out your land acquisition laws, you need to sort out the issues of environmental clearances which are all the bottom lines that are occurring.
You need to allot more on getting infrastructure in. Hopefully with a new railway minister there will be more dynamism and we’ll start getting investments flowing into the system because the railways are absolutely vital for moving not just coal but everything. But they become absolutely vital for coal because reserves are concentrated in particular pockets. So they need to be transported around.
But don’t you think one of the dos should be that India should, increasingly, in the coming years, lessen dependence on coal?
India simultaneously needs to diversify its fuel basket.
But what I’m seeing is that for next 20 years you cannot run away from coal. No matter how hard you try. You can keep talking of renewables, it makes a lot of sense to go to international fora and talk of the number of solar power plants you are going to put in.
But eventually, if you look at the bigger energy picture, the bulk of your electricity will continue to come from fossil fuels. You will be adding capacities in solar and wind. But first of all you must remember that five megawatt capacity put up, say, in solar or wind is equal to one megawatt capacity put in coal. That’s the difference due to plant load factors. So if you’re seeking the same generation, forget about base load and everything.
If you’re looking at the same generation from renewables, you’re investing five times in capacity than you would be investing in fossil fuels. India’s energy demand is not at peak as yet and if you see an expansion, then you will definitely see coal capacities rising, not falling. Renewables will rise very fast as well. But as I said, they need to run five times faster.
Recently we heard from Adani and Tata about the demand for energy. On one side India wants to increase coal production, on the other India will be importing coal which will be a little costlier than local coal. So in view of that, what will happen to the consumer? They will keep paying more, right?
The consumer cannot run away from the prices of primary fuel. If the price of primary fuel rises, someone will have to pay the bill. Eventually even if you‘re thinking of moving away from coal, consumers need to understand that energy is only going to get expensive.
We need to value energy and the only way we can value energy is if we pay the price for it. We do not value energy today because we are not paying the price for it. So if actually energy costs rise, we will use energy efficiently, you will also see greater incentive for renewables.
Today if coal prices suddenly start dropping, renewables lose. Who is going to invest in renewables where the costs are going to be far higher? So you’re knocking renewables out of the market.
Today we talk the other way -- that if you want renewables to come in, you should be taxing conventional energy like coal. So raise prices. Yes, resources are expensive and energy is expensive. And we need to use less of it, use it more efficiently and we will probably do it when we pay more of it.
On the political front, the Narendra Modi government, before the next election comes in 2019, will try very hard to separate the grid for commercial use and domestic use. India will aim to have 100 per cent electricity connections in homes. So do you think it is a feasible target as it has happened in Gujarat?
See, separation is essential also for other reasons -- for differential pricing, etc. One thing we must understand that in India most power pricing policy is actually distorted. Domestic consumers pay less and industrial commercial consumers pay more. Globally it is the exact opposite.
You want to make India a manufacturing hub. How are you going to compete with people manufacturing abroad? Find out the prices in global markets. Your entire dream of turning India into a manufacturing hub with these kinds of distorted pricing policies, will not go very far.
Is it possible for Modi to go to the next polls giving maximum number of houses power through a separate grid? Is that an achievable goal?
First of all, is electricity going to be available? Are people going to be on the grid across the country? Some parts of the country are so distant that they are better of not being on the grid. For them it is going to be very expensive. And it might be cheaper for them to stick to renewable, biomass energy.
So there are different models which can be proposed and which I’m sure any rational government would think of optimising the cost when you’re supplying modern electricity and fuels to the bulk of the population. The statement should be written in context of the larger picture.
Do you think the political target is achievable on this issue?
If you’re talking about the grid then it is not possible. If you want to get the grid into the remotest village then it is a tall order and it is not even a wise decision. And when they say getting grid into every household, to every person’s house, there are limitations to it. And those limitations, within the political system, should limit them.
In balance, as of today, the way things stand on the issue of coal mining, the demand of power and the issue of tariffs for the consumer, are you optimistic about India’s coal scene?
No, I’m not.
Why?
We have a long way to go and it is a tough task and there are strong legacy issues. And till those legacy issues are hit head on, these are issues where jugaad is not going to take you very far. You are stuck with certain cancelled coal blocks which have come through the Supreme Court, and you have the coal nationalisation act, you bring in an ordinance and then you continue with the system of allocating coal to the end-users. This is all changing through jugaad, move this here, push this out of the way.
So we need to use a lot of rethinking on how we envision our grid, we should be maybe go in for distributed power generation using various other kinds of fuels. We should be going in for reforms that allow peak time tariffs, so that at peak times you have higher rates of tariffs, that conserve energy which also make sure that alternate fuels like natural gas and all can kick into the grid at the right time.
So the weight is taken off coal which you do not have enough of at the moment. A lot of balancing needs to be done. So unless we take a comprehensive view of the entire energy sector, this piecemeal reform, doesn’t take you very far.

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